| Archetypal Perspective and American Film | Glen Slater |
| The Eye at the Heart of the World | John Beebe |
| Why Should We Take Jungian Film Studies Seriously? | Don Fredericksen |
| Cinema as Illusion and Reality | Luke Hockley |
| Archetypes, Coherence, and the Cinema | Michael Conforti |
| Cin-Imago Dei: Jungian Psychology and Images of the Soul in Contemporary Cinema | Terrill L. Gibson |
| The Feminine Principle in Film: Reflections on Film and Its Relation to the Human Psyche | Ingela Romare |
| What Makes Movies Work? Unconscious Processes and the Movie-Makers' Craft | Christopher Hauke |
| A 'Close-Up' of the Kiss | Marilyn Marshall |
| Looking For Mother: The Power of the Mother Complex in the Films of Ingmar Bergman | Ingmarie McElvain |
| Search for the Soul: The Cinema of Krzysztof Kieslowski and The Double Life of Veronique | Linda Schierse Leonard |
| The Phantom of the Opera: Angel of Music or Demon Lover? | Susan Olson |
| Hitchcock's Strangers on a Train and Leconte's Man on a Train: Denying and Befriending the Shadow | James Palmer |
| Westerns and Global Imperialism | John Izod |
| Transformations in the Mythic Construct of the Hero: The Manchurian Candidate from 1964 to 2004 | Jane Alexander Stewart |
| BOOK REVIEW: Jung as a Writer by Susan Rowland | Ginette Paris |
| BOOK REVIEW: The Cultural Complex: Contemporary Jungian Perspectives on Psyche and Society by Thomas Singer and Samuel L. Kimbles (eds.) | David Tacey |
| BOOK REVIEW: Nietzsche and Jung: The Whole Self in the Union of Opposites by Lucy Huskinson | Paul Bishop |
| BOOK REVIEW: The Healing Spirit of Haiku by David Rosen and Joel Weishaus | Susan Rowland |
| BOOK REVIEW: The Art of Inquiry: A Depth Psychological Approach by Joseph Coppin and Elisabeth Nelson, and Dark Nights of the Soul: A Guide to Finding Your Way Through Life's Ordeals by Thomas Moore | Dennis Patrick Slattery |
